entertainment•Sat, October 3, 2026•5 min read

Why Everyone Is Talking About Nathan Fielder's 'You Can See Everything'

Nathan Fielder and Lance Oppenheim’s surprise documentary, 'You Can See Everything,' captures the final days of Elizabeth Holmes before her imprisonment. It is a genre-bending, uncomfortable, and brilliant examination of truth and public image.

A New Kind of Documentary

For three years, Nathan Fielder and director Lance Oppenheim operated in the shadows, crafting what has become the most discussed film of the year. 'You Can See Everything,' which premiered in a surprise, no-phones screening at the Telluride Film Festival, follows Theranos founder Elizabeth Holmes during the 34 days leading up to her federal prison sentence.

The result is far from a standard biopic. It is a surreal, meta-commentary that blends melodrama, detective thriller, and reality television, forcing the audience to question the very nature of truth and the public obsession with the fallen tech mogul.

The documentary captured 34 days of Elizabeth Holmes' life prior to her incarceration.

The Fielder Method: Pushing Boundaries

Fielder, known for his deadpan style in 'The Rehearsal,' applies his unique investigative approach to the Theranos saga. He doesn’t just interview Holmes; he occupies her orbit. The film utilizes a mix of fly-on-the-wall footage and elaborate re-creations, where Fielder uses actors to test his own memories of interactions with the subjects.

The film utilizes a 'hangout-movie' structure to reveal Holmes' personal life.
Fielder explicitly acknowledges the ethical pitfalls of his involvement.
The documentary explores the disconnect between Holmes' internal perspective and the public's perception of her fraud.
It features candid, often unsettling interactions with Holmes and her husband, Billy Evans.

By the time the family relocates to Texas... You Can See Everything has gone from being a peek at image rehabilitation into a portrait of pathologies several times over.
— Rolling Stone

Why It Matters

The documentary is as much about the process of filmmaking as it is about Elizabeth Holmes. It exposes the inherent narcissism in trying to capture 'the truth' and the discomfort of empathy. As the film progresses, Fielder himself becomes a subject, his own biases and doubts openly displayed for the audience to dissect. It is a rare work that succeeds by refusing to give the viewer a clean, satisfying narrative, opting instead for a chaotic, deeply human portrait of deception.

Key Takeaways

The documentary captures the final 34 days before Elizabeth Holmes entered federal prison.
It avoids being an apologia, instead presenting a complex, often uncomfortable look at Holmes' psyche.
Nathan Fielder uses his signature meta-filmmaking techniques, including re-creations, to question his own perception.
The film has sparked intense debate regarding documentary ethics and the subjectivity of truth.
It is described as a 'hangout-movie' that evolves into a gripping, reality-TV-meets-psychodrama experience.

FAQ

What is 'You Can See Everything' about?

It is a documentary by Nathan Fielder and Lance Oppenheim that covers the 34 days Elizabeth Holmes spent at liberty before reporting to federal prison.

Is the film a sympathetic look at Elizabeth Holmes?

Critics generally agree that the film does not mount an apologia for Holmes. Instead, it highlights the disconnect between her personal reality and the public's view of her actions.

How did Nathan Fielder film this?

The documentary was filmed secretly over three years, using a blend of direct footage and meta-style re-creations to explore the subject.

Where can I watch it?

The film premiered at the Telluride Film Festival and has been featured at the New York Film Festival. Check local listings for theatrical availability via A24.